• SoundStage! Shorts - How Hegel's SoundEngine Works (October 2017)
  • SoundStage! InSight  - Estelon History and YB and Extreme Loudspeakers (September 2017)
  • SoundStage! Shorts - What Makes Hegel Different? (August 2017)
  • SoundStage! Shorts - Estelon Extreme Legacy Edition Loudspeaker (July 2017)
  • SoundStage! InSight - Amphion Overview and Technologies (July 2017)
  • SoundStage! Insight - Totem Acoustic Signature One Loudspeaker (June 2017)
  • SoundStage! Encore - The Cowboy Junkies'
  • SoundStage! Shorts -- Anthem's STR Integrated Amplifier (May 2017)
  • SoundStage! Shorts -- Paradigm's Perforated Phase Alignment (PPA) Lenses (March 2017)
  • SoundStage! InSight -- Paradigm's Persona 9H Loudspeaker (March 2017)
  • SoundStage! InSight -- Contrasts: Dynaudio's Contour and Focus XD Speaker Lines (February 2017)
  • SoundStage! Shorts - New Technologies in MartinLogan's Masterpiece Series
  • SoundStage! Shorts - Dynaudio/Volkswagen Car Audio (December 2016)
  • SoundStage! InSight - Gryphon Philosophy and the Kodo and Mojo S Speakers (January 2017)
  • SoundStage! Shorts -- What's a Tonmeister? (November 2016)
  • SoundStage! InSight - AxiomAir N3 Wireless Speaker System (December 2016)
  • SoundStage! InSight - Bang & Olufsen BeoLab 90 (November 2016)
  • SoundStage! Shorts - Gryphon Diablo 120 Integrated Amplifier (October 2016)
  • SoundStage! InSight - Dynaudio History and Driver Technology (October 2016)
  • SoundStage! Shorts - The Story How Gryphon Began (September 2016)
  • SoundStage! InSight - Devialet History, ADH Technology, and Expert 1000 Pro (September 2016)
  • SoundStage! Shorts - Devialet's Phantom Loudspeakers (August 2016)
  • SoundStage! InSight - McIntosh Home Theater and Streaming Audio (July 2016)
  • SoundStage! Shorts - McIntosh MC275 Stereo Amplifier (June 2016)
  • SoundStage! InSight - McIntosh History and Autoformer Technology (June 2016)
  • SoundStage! InSight - NAD Viso HP50 Headphones (May 2016)
  • SoundStage! Shorts - GoldenEar Technology's Anechoic Chamber (May 2016)
  • SoundStage! Shorts - PSB's M4U 4 Earphones (April 2016)
  • SoundStage! InSight - GoldenEar Technology's Triton Two+ and Three+ Loudspeakers (March 2016)
  • SoundStage! Shorts -- KEF's LS50 (February 2016)
  • SoundStage! InSight -- Monitor Audio's Platinum II Series (January 2016)
  • SoundStage! Shorts -- Pryma 0|1 Headphones (December 2015)
  • SoundStage! InSight -- KEF's Blade Two Loudspeaker (November 2015)
  • SoundStage! InSight -- KEF and the Uni-Q (October 2015)
  • SoundStage! InSight -- Monitor Audio Acoustics & Aesthetics (August 2015)
  • SoundStage! InSight -- PSB's Imagine T3 Loudspeaker (June 2015)
  • SoundStage! InSight -- Hegel's H160 Integrated Amplifier-DAC (April 2015)
  • SoundStage! InSight -- MartinLogan's Neolith Loudspeaker (February 2015)
  • SoundStage! InSight -- Paradigm's Prestige Series (December 2014)
  • SoundStage! InSight -- Vivid Audio's Giya Series (October 2014)

To Hans Wetzel,

I just read your article and I must say that it felt like déjà vu. Like you, I was one click away from buying a pair of KEF Reference 1s and half a click from buying a Devialet 200. What stopped me was the price and the question to myself of how happy I would be with the purchase compared to what I already have. Both factors acted as an albatross, always hovering hauntingly above, causing me to question the need for another purchase.

My current system is composed of an Anthem MRX 710 receiver; Paradigm Signature S6, C1, S1 speakers (all v.3); and a Definitive Technology SuperCube 4000 subwoofer. My source is a 2008 MacBook Pro with Audirvana, and an Apple TV for when I stream from my iPhone. As you know both the Devialet and Reference 1s are a considerable amount of money, and while I can afford them, there is no doubt I would have to make a few sacrifices for a few months to pay for them. Do I want to make those financial sacrifices? For both products the answer is always a 95% yes.

The second question is always what gets me. How will it compare to what I already have? I know the Devialet will sound better than my Anthem without room correction, but it may not when I have my room correction on. As you have written before from personal experience, I have also purchased speakers too large for my room. I live in a 600-square-foot condo and bought the largest speakers that I could without going too crazy. The S6es sound mostly fantastic! Imaging, highs, and mids are great. But the bass is like trying to contain a raging bull; in this case, the bull cage is the volume control. Playing an R&B track at any decent volume without room correction overloads my room with heavy bass that takes away all the enjoyment from listening to my speakers. Once I turn on the room correction, everything sounds as it should, or at least as I think it should.

Considering all of this I thought to myself, well, if I want to enjoy a Devialet then I should buy smaller speakers; hence, the urging sensation of wanting to buy a pair of Reference 1s. But wait, then those two questions come back to haunt me and have kept me in check. Anyways, I just wanted to tell you that same damn albatross that haunts me probably haunts you and many others. Do I want to shoot the albatross? Will it make me happy after I do?

Keep up the great writing.

Chester W.
Canada

Misery loves company, Chester! Come on in, the water’s warm. . . . Hans Wetzel