GoodSound! "Music" Archives Published June 1, 2003 |
Rachmaninoff: Vespers, Op.
37
Praga Digitals PRD 250 176
Format: Hybrid Multichannel SACD
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We usually think of
Rachmaninoff as the misplaced romantic: the 20th-century composer who wrote lush works for
piano and orchestra, such as his second piano concerto or Rhapsody on a Theme of
Paganini. But Rachmaninoff grew up in Russia, and part of his upbringing was attending
services at the Orthodox churches of St. Petersburg, where he was exposed to Russian
choral traditions. In 1915, he penned his own set of vespers, written for unaccompanied
chorus, and though one can occasionally hear the lush romantic, the church modes are at
the forefront. They are beautiful works, and these committed, flawless performances give
them the justice they deserve. The multichannel sound recreates a large space (St. Agnes
Monastery in Prague) with just the right amount of resonance. Until you can experience the
splendor of the surround sound, you can enjoy clean and clear CD playback, since this is a
hybrid disc. |
Alison Krauss + Union
Station: Live
Rounder 11661-0515-6
Format: Hybrid Multichannel SACD
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Oddly enough, considering all
the albums she has made, Alison Krauss has never recorded a live concert before. Most
singers would kill to sound this good in the studio; Krauss delivers pitch-perfect singing
in front of an understandably enthusiastic audience in Louisville, KY. As if that was not
enough, she plays impeccable fiddle, and has the best, and most versatile, bluegrass band
in the business beside her -- not behind her. She is smart and kind enough to
realize what collective and individual talent these four men have, and lets it shine at
every opportunity. This once-in-a-lifetime concert has been recorded extremely well. SACD
5.1-channel sound takes to live performance like a duck to water. If you dont have
an SACD player, you can surely enjoy the clean-and-clear two-channel CD sound, knowing
that when you put this disc in an SACD player coupled to a properly tuned 5.1 audio
system, you will feel like you are actually there. |
Afrocelts: Seed
Real World 81508
Format: CD
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I have a hard time letting go of
a band that shows promise. While Afrocelts (formerly known as Afro-Celt Sound
System) previous efforts did not quite work musically, there was no denying their talent.
With Seed the group has finally gelled. Melodically, these new songs are stronger,
more infectious, and beautifully performed. On the Sound System albums, instruments were
not arranged but fighting for room on a crowded stage. Seed is more harmonious with
each instruments personality shining through. Balance is also apparent with this
CDs excellent production quality. Bass is no longer overblown, and the high
frequencies that shimmer off a fiddle no longer feel like razor blades on the ears. Check
out cuts like "Cyberia," "Nevermore," and "Deep Channel" and
you will experience a band that has finally found its voice. |
Goldfrapp: Black Cherry
Mute 9206
Format: CD
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I would have never
purchased music by a band named Goldfrapp, mainly because it sounds like a new type of ice
cream-based drink more than a band. But on the recommendation of a work associate, who
also happens to be an accomplished musician, I took a chance on this electronica effort.
Think of Goldfrapp as an updated version of Shirley Bassey crooning to a James Bond theme
song like Goldfinger. Thats the impression I got the first time I listened to
the bands debut, Felt Mountain. Black Cherry continues on the same
path with fewer sultry string arrangements but more synth confections. This is great pop
music no matter how you slice it. The title track is the most infectious of the bunch with
the remainder of the album coming close to absolute pop perfection. The recording is also
stunning, with sweet, full vocals and delicate electronic flourishes throughout. A
wonderful album! |
Further Seems Forever: How
to Start a Fire
Tooth & Nail 39418
Format: CD
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If you want to make your mark, you have to come up with a better
idea than someone did before you. Further Seems Forever isnt a bad band, it just
sounds like countless other bands that came before it. Its Matchbox Twenty, Creed,
Goo Goo Dolls, and more recently Coldplay, all over again -- only less subtle or original.
Songs like "On Legendary" and "Insincerity as an Artform," come
closest to an emotional payoff, but the remainder of this effort is very bland and
uninteresting. The production values are pretty run of the mill as well; guitars are edgy
and vocals are forced. I tried to like this record -- tried to find a quality that
"started a fire" within me. But ultimately I was left wondering what the point
of it all was. |
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