Columbia/ISO 8876546192 2
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In 2004, after suffering a heart attack while on tour, David Bowie made rare guest appearances onstage with other musicians, such as Arcade Fire, and helped out on a handful of recordings. For the most part, though, he laid low long enough that most of his fans assumed he’d retired. He’d earned it. After more than 30 years of image changes and musical experimentation, the most radical thing David Bowie could do was refuse to drag himself out for a nostalgia tour.
Telarc International TEL-33814-02
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Move is Hiromi’s second disc with bassist Anthony Jackson and drummer Simon Phillips, aka the Trio Project. Even with Hiromi’s acoustic piano dominating, Voice (2011), her first CD with this group, had more pronounced rock elements than her other jazz-trio recordings. Move continues that trend, and manages to balance even more deftly the muscle of rock music with the complexity of jazz improvisation.
XL Records XLCD583
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It’s uncommon to hear new music that stands out from the proverbial pack. Almost everything is derivative in some way or another, and for good reason. Different can mean provocative, but it almost always guarantees commercial failure. Igor Stravinsky’s The Rite of Spring provides perhaps the most illuminating example of this. During its very first performance, in Paris’s Théâtre des Champs-Élysées, the audience rioted in response to the avant-garde, thoroughly dissonant composition. Critics were equally unconvinced, one going so far as to label the forward-thinking piece “a laborious and puerile barbarity.” Tough crowd. Stravinsky, of course, would go on to achieve worldwide acclaim. Like so many mavericks, his unique compositions fell on conditioned ears and immutable minds that were unable to appreciate what he had to offer.
Concord Jazz CJA 33676-02
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It took me a while to warm up to Patricia Barber, but Café Blue and Nightclub won me over, especially in their recent vinyl incarnations. As much as I’ve come to enjoy her work, though, I wouldn’t have described it as emotionally engaging until now. Smash, her 11th release and her first for Concord, takes as its themes love and loss, and as a consequence Barber leaves behind the sense of ironic distance she sometimes conveys in her earlier recordings. She also casts her stylistic net wider, including elements of rock music in ways that enrich her songs rather than create a feeling that she’s selling out.
Matador OLE994
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The indie-rock group Yo La Tengo will be 30 in 2014, but the three-member band from Hoboken, New Jersey, formed by the husband-wife team of Ira Kaplan and Georgia Hubley, shows no sign of becoming stale. Fade is their 13th studio album, and its title at first struck me as apt -- the music kept fading from my consciousness as I played it in the background during a few cold weekday evenings. The gentle guitar melodies and lazy drumwork offered a rhythmic listening experience that at first I misheard as uninspired. Repeated listening and reflection made it apparent that this album is the result of three decades of musical refinement.
Jazz Village/Harmonia Mundi JV 570007
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Argentine composer and bandoneón master Ástor Piazzolla introduced jazz and classical influences into the traditional tango and gained international fame, as well as the respect of other musicians. His appeal and ambitions crossed genres, and as a result he wrote for symphony orchestras as well as smaller groups. His music has been interpreted by musicians as disparate as Yo-Yo Ma and Gerry Mulligan, not to mention scores of Latin-American artists, and his extensive discography includes over 70 recordings and nearly 40 film soundtracks. Piazzolla claimed that Tango: Zero Hour, his 1986 recording with his Quinteto Tango Nuevo, was one of his best, and he was right. It’s probably his most popular disc in the US, and is as close to essential as music gets.
Geffen B 001778502
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Lifehouse’s breakout album, No Name Face, was released in 2000, when I was in 10th grade. I loved it. Their hit “Hanging By a Moment” was only the third song in history to have been named “No.1 Song of the Year” on Billboard’s Hot 100 chart, despite never having actually reached No.1 in the magazine’s charts. I have no recollection of Lifehouse after No Name Face, primarily because I never bought any of their subsequent four albums. But with the release of Almería, I endeavored to reassociate myself with this Los Angeles-based rock band to see how they’d fared in the 12 years since.
Michael J. Media
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Five Minneapolis musicians comprise the band War Poets, but Rex Haberman, a longtime songwriter with three discs to his credit, is at the center of the band’s debut album. Haberman wrote or cowrote all 17 songs on Dulce et Decorum Est. Even a casual listen, however, reveals how important collaboration was to this two-disc set. Matt Kirkwold and Jenny Case helped with some of the songwriting, and played, respectively, guitar and bass. Coproducers Kevin Bowe and Stephen McKnight also share a couple of bylines with Haberman, and play guitar.
Compass CPS4586
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Luka Bloom was born Kevin Barry Moore in Newbridge, County Kildare, Ireland, in 1955, and took his stage name after moving to the US in 1987. "Luka" was supposedly chosen for Suzanne Vega’s song of that title, while "Bloom" stems from the main character of James Joyce’s magnum opus, Ulysses. The folksy singer-songwriter has but a hint of his native accent in This New Morning, and it is an easy record in which to become immersed.
Concord Picante CPI-341110ADV
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Bandleader and conguero Poncho Sanchez signed with Concord Picante in 1982, after his boss at the time, vibraphonist Cal Tjader, recommended Sanchez to the label’s president. He has remained with Concord for 30 years, and Live in Hollywood is his 26th release for them. Sanchez had several chances to jump ship, but he’s stayed put, and this recording is his gift to Concord, his testament to his loyalty and theirs. Sanchez and his eight-piece band performed the music on this disc at the Hollywood & Highland Summer Concert Series, in July of this year, in front of an enthusiastic crowd.
Read more: Poncho Sanchez and His Latin Jazz Band: "Live in Hollywood"