I feel fortunate to live right up the road from Parts Express, as it’s my source for parts, tools, and some audio gear. Headquartered in Springboro, Ohio, Parts Express is also the parent company of Dayton Audio. I’ve reviewed many of Dayton Audio’s products here on SoundStage! Access, including the Classic B65 standmount loudspeaker, the little brother of the subject of this review, the Classic T65 floorstander. The B65 was available for US$69.98 per pair at the time of my review, which I considered a steal. It now costs US$79.98 per pair—still a steal. SoundStage! founder Doug Schneider had the B65 measured at Canada’s National Research Council in Ottawa, and he gave it a qualified “OK.” (His primary complaint was that it went into fairly high distortion at 85dB, but I rarely if ever listen that loud.) So when Shawn Behmer, social media manager at Parts Express, offered me a pair of Classic T65 floorstanders for review, I accepted with pleasure.
Why do you need a DAC? It’s a question I’ve asked—and answered—in the past, but it’s worth exploring again. The simplest answer to that question, of course, is that you need some component in your signal chain to convert streams of digital data into analog waveforms so they can be amplified and sent to your speakers. Of course, the speakers sitting in front of me right now, as I type this—a pair of SVS Prime Wireless speakers—handle that function on their own. As does the integrated amplifier in my reference system. So, again, I ask: why do you need a DAC? In other words, why would you purchase a standalone, outboard product such as iFi Audio’s Zen DAC 3 (US$229, CA$349, £229, €229)?
Read more: iFi Audio Zen DAC 3 Headphone Amplifier–DAC–Preamplifier
In April 2025, I reviewed the Technics SL‑100C turntable, which came factory-equipped with the Audio‑Technica AT‑VM95E moving-magnet cartridge—a cartridge that features an elliptical stylus. However, by the time I purchased my own SL‑100C a few months later, Technics had downgraded the bundled cartridge to an AT‑VM95C, which has a conical stylus. I felt like that was akin to putting the engine of a Fiat 600 into a Ferrari: it might work, but it won’t exploit the full capabilities of the host. I promptly swapped out the AT‑VM95C in favor of my Goldring E4 cartridge with its elliptical nude-diamond stylus.
Note: measurements taken in the anechoic chamber at Canada’s National Research Council can be found through this link.
As I’ve said on any number of occasions lately, my barometer for value has become completely uncalibrated. Every trip to the grocery store involves sticker shock. Homeowners’ insurance deductibles have climbed so high that I may as well not have said insurance, if not for the fact that total devastation is becoming increasingly likely due to an increasingly angry climate. Panera Bread—long my favorite cheap fast-food restaurant—now seems like a bougie indulgence.
Of all the companies that I’ve tracked over the course of my career in A/V, perhaps none has evolved and changed more than Kaleidescape. As I said in my blog post covering the unboxing of the company’s Strato E movie player (US$2995, CA$4495, £3399), the first Kaleidescape system I reviewed was a massive, $32,000, 100-pound, multi-component system that shipped in a road case with an integrated rack and also came with a preprogrammed Crestron control system and touchscreen. Its RAID array was there to store DVDs that you ripped yourself, using the included disc transport, and they were massive spinning things, not the smaller 2.5″ SATA drives and M.2 NVMe drives we’re used to these days.
Do you have any family members or friends who are wrecking their hearing with earbuds constantly on meltdown volumes, who listen to miserable-sounding Bluetooth speakers, or who just want to get into vinyl? Perhaps this review will point them in the right direction.
Read more: Electrohome Montrose RR36 Wireless Turntable and McKinley 2.0 Powered Speaker System
“What’s in a name?” Juliet Capulet once asked. Far be it from me to argue with the Bard, nor one of his most famous characters, but my answer to that question would be a simple one: “A lot.” Especially when it comes to a product like the WiiM Amp Ultra (US$529, CA$739, £499, €599).
Founded in 2006, the UK speaker brand Q Acoustics is about to conclude its teenage years. For a while now I’ve wanted to audition one of its speakers, and recently I had that opportunity. Armour Home Electronics, which also owns QED cables and Goldring cartridges, “started Q Acoustics specifically to offer good-value speakers no matter the price category,” PR manager Nick Renshaw told me as we discussed the possibility of a review. He suggested I check out the 3020c, the middle standmount model in the new 3000c series. The 3020c is sold in pairs for US$829, CA$829.99, £399, or €499.
Note: measurements taken in the anechoic chamber at Canada’s National Research Council can be found through this link.
Someone needs to invent a word to evoke the specific disappointment that comes from realizing you’ve stolen your own thunder. If the Germans can give us such evocative loanwords as schadenfreude, verschlimmbesserung, and wanderlust, surely they could cook up some delightfully and elegantly convoluted way of encapsulating the emotions running through my brain when I realized, far too late, that the conclusion of my unboxing blog post for Q Acoustics’ lovely new 3050c tower speaker (US$1749, CA$1900, £849, €1099 per pair) really should have been the intro to my full review.
Let’s not bury the lede here, because I know the question right at the top of mind for most regular readers of SoundStage! Access: “Do I really need a $1600 4K Blu‑ray player?” The answer to that question is, of course, no. As nice as the Magnetar UDP800 universal disc/media player (US$1599.99, CA$2500, £1399, €1620) may be, it doesn’t change that fact. So the real question is, why might you want this particular player, despite its cost, given that you can purchase a UHD Blu-ray player with literally perfect A/V performance for under $500?